Atelier CréaStylos Pièces uniques façonnées à la main
Grandvillers aux bois, Picardie

A workshop, a lathe, and wood

Here pens are made one at a time. No batches, no moulds : one species, one lathe, and the time it takes.

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The approach
The approach

The hand, the material, the time

The hand

What cannot be delegated

The lathe turns, the gouge bites, and it is the hand that decides where to stop. No machine knows when a curve is right. It takes time, that is the craft, and it is why no two pens come out quite the same.

The material

Woods with an address

Mahogany from Honduras, snakewood from Guyana, plane tree from the end of the village. Each species has its density, its smell under the sandpaper, its way of taking a finish. The workshop’s wood library holds 78 of them, all traced and catalogued.

Time

Counted in days, not in output

Between the moment the wood is cut and the moment the pen is signed, several days go by — many of them spent doing nothing but waiting for a finish to cure. You cannot shorten that without it showing.

The raw material

The wood library

78 species catalogued at the workshop, from the plane tree down the road to woods that crossed an ocean. Each has its record, its Latin name and its origin.

Acajou
Acajou Swietenia macrophyla
Amarante
Amarante Peltogyne venosa
Amazaqué
Amazaqué Guibourtia ehie
Amourette
Amourette Brosimum guianense
Acajou Amarante Amazaqué Amourette Atapa Aubépine Azobé
Bambou Boco Bocote Bois de Rose du Mozambique Bois de serpent Bois de violette Bois stabilisé teinté Bouleau madré Bubinga Buis
Cade Ceylan (bois de satin) Charme échauffé Chataignier Chêne Cocobolo
Difou
Ebène de Macassar Ebène Gabon Ebonite Erable Erable échauffé stabilisé
Frêne
Goncalo Alvès GreenHeart Grenadille
Hêtre Hêtre échauffé Hububalli
Ivoire rose
Kotibé
Lamellé précieux Lamellé teinté Loupe d'Amboine Loupe d'orme Loupe de Palissandre du Honduras Loupe de thuya
Merisier Mixte Mopane
Noix de Banksia Noyer
Olivier d'Afrique Olivier de France
Padouk Palissandre de Madagascar Palmier noir Palo santo Pau amarello Pequilla amarello Peroba rose Pierre reconstituée Platane Poirier Pomme de pin stabilisée Pommier Prunier
Racine de cerisier Résine acrylique Résine camouflage Résine Lava Bright Résine Sylvain
Saint Martin Rouge Sapelli
Tambootie Tilleul Tulipier
Wapacou Wengé
Zébrano Ziricote
The making

The time of one pen

1

The choice

A species pulled from the wood library, picked for its grain and colour.

A few minutes, or three days
2

Cutting

The blank is cut to the length of the barrel and the cap.

10 minutes
3

Drilling

A hole down the axis, true to a tenth. Everything else depends on it.

15 minutes
4

Gluing

Brass tubes bonded with epoxy, then faced off flush.

One night to cure
5

Turning

The gouge roughs out, the scraper finishes. This is where the shape is born.

30 to 60 minutes
6

The finish

Sanded to 12000 grit, then cyanoacrylate or oil-wax depending on the wood.

2 hours and 24 h of rest
7

Assembly

Mechanism, nib, clip. Then the number and the certificate.

20 minutes
0
wood species
0
models
0
pieces made
0
years at the bench
From the bench
Out of the workshop

A few pieces

Knurl GT
Bubinga Knurl GT

Discover the creations

Authenticity

A certificate for every piece

Every pen leaves with its certificate and its QR label. Scan it and you find the exact species, its origin, the date it was turned and the piece number.

None of this is decoration : it is the only way to know, ten years from now, what you are holding.

Certificate of authenticity
Knurl GT Bubinga One of a kind — no. 001
Atelier CréaStylos